Declaration of Principles“It may be true that one has to choose between ethics and aesthetics, but it is no less true that whichever one chooses, one will always find the other at the end of the road.”
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Tag Archives: Dirty Projectors
In no order, 5 new things I was listening to this year.
Dirty Projectors – ‘Stillness is the Move’
Jay-Z – ‘Empire State of Mind’
Phoenix – ‘Lizstomania’
Dum Dum Girls – ‘Hey Sis’
Animal Collective – ‘My Girls’
Dirty Projectors/Greg Ginn Jam
What a show. Longstreth and company killed it in Austin last night, beginning with an extended jam with Greg Ginn from Black Flag and the segueing into a proper DP set that focused on Bitte Orca and Rise Above material. Amber Coffman was particularly strong, and let the audience know that she was born in Austin (immediately before smashing ‘Stillness is the Move’). I’m not sure if I have ever seen a better group of pure musicians live in an indie-rock band.
Well played guys. Well played.
So for pointless and arbitrary fun, here are my highlights of the first six months of 2009.
1. Best Film(s): The Limits of Control by Jim Jarmusch and The Girlfriend Experience by Steven Soderbergh
I know I am going to take some flack for this, but in a toss-up my two favorite films of the year so far are these deeply flawed yet totally engrossing portraits of loners. Soderbergh’s film works on a very Bazinian realist level. Sasha Grey only works in the film due to her extra-textual existence. She is not a particularly adept actress, but Soderbergh’s camera finds her so interesting that I got swept up past the questions of good or natural acting to Godardian exploration of late or even post-capitalism through the character of a prostitute. But perhaps the greater question that Soderbergh poses is which of these characters aren’t prostitutes in the America of the moment.
Jarmusch’s film is the most lyrical, musical piece of cinema I have seen in a long time. Operating at the intersection of rhythm and dreams, it’s a highly structured, intentionally repetitive film that is best summed up in Tilda Swinton’s monologue (adapted from a speech she gave at San Francisco Film Festival in 2006). “The best films are like dreams you’re never really sure you had.” Jarmusch has a made a film that barely seems to register upon first viewing, but has seldom left my mind since I saw it.
2. Best Album: Bitte Orca – Dirty Projectors
Really if you have been reading this thing for more than 5 seconds you probably know that I <3 this band like it’s my first crush. Seeing them in Austin in 10 days. Very Excited.
3. Best Song: ‘My Night with the Prostitue from Marseille’ – Beirut
As much as I really love Beirut, I my actually like his odd little side effort Realpeople more in the realm of Zach Condon projects. Narrowly beating out ‘Stillness is the Move’ and ‘Brothersport’, this is the kind of song that brings back the long buried filmmaker in me. I’d love to see a nouvelle vague-ish short film with this on the soundtrack.
Dave as a sherpa music man and Amber, Angel & Haley as some sort of singing mountain nymphs? Plus there’s a llama.
Also if you live in Austin, come see them with me on July 15. Tickets here for the absurdly cheap price of $10.
via the entire music blogosphere.
Dirty Projectors’ Take Away Show.
Dirty Projectors’ Bitte Orca is definitely my album of the year so far, so thanks to the brave soul that shot this fantastic performance with Bjork from a couple weeks back.
This is an older song, but goddamn I can’t wait for Bitte Orca…